Biography
2000 º£¸¦¸°±¹¸³¿¹¼ú´ëÇб³(UdK) °ÇÃà°ú ÀÔÇÐ
2003 º£¸¦¸°±¹¸³¿¹¼ú´ëÇб³(UdK) ¼ø¼ö¹Ì¼ú°ú Á¹¾÷
2004 º£¸¦¸°±¹¸³¿¹¼ú´ëÇб³(UdK) ¼ø¼ö¹Ì¼ú°ú ¸¶À̽ºÅͽ¯·¯ Á¹¾÷
Exhibitions
°³ÀÎÀü
2017 ´ç½Å°ú ³ª, ÀεðÇÁ·¹½º, ¼¿ï
2015 ³»¼Å³Î Æ®·¯½ºÆ® ±ÇÁø±Ô ¾Æ¶ã¸®¿¡ ·¹Áö´ø½Ã ¿ÀÇÂÇϿ콺, ¼¿ï
2014 ¸ð´º¸ÕÆ® Á¦·Î, Æ®··Å© °¶·¯¸®, ¼¿ï
2014 ¾ÈÅ׳ª, µÎ»ê°¶·¯¸® ´º¿å, ´º¿å
2013 ±×¸²ÀÚ »çȸ : ¼Öº£ÀÌÁöÀÇ ³ë·¡, ºÒ±¤µ¿ ÅäÅÛ, ¿ì¹Î¾ÆÆ®¼¾ÅÍ, ûÁÖ
2012 ¾à¼ö, ¾ÆÆ®¼±Àç¼¾ÅÍ, ¼¿ï
2011 ¿ì¸®ÀÇ »ýÈ°»ç, °¶·¯¸® ÄコƮµ¶+¹Ì¼ú¿¬±¸¼Ò, ¼¿ï
2011 Subjective Projections: Sangdon Kim, Bielefelder Kunstverein, ºô·¹ÆçÆ®
2011 ºÒ±¤µ¿ ÅäÅÛ, Æ®··Å© °¶·¯¸®, ¼¿ï
2004 ÀÔÁÖ¸¦ ÃàÇÏÇÕ´Ï´Ù, ´ë¾È°ø°£ Ç®, ¼¿ï
1997 ¾ÈÀüÁ¦ÀÏ, »ì ¹Ù, ¼¿ï
´ÜüÀü
2018 ÁÁÀº »î, SeMA ºñ¿£³¯·¹ ¹Ìµð¾î½ÃƼ ¼¿ï, ¼¿ï½Ã¸³¹Ì¼ú°ü, ¼¿ï
2018 °æ±â¾ÆÄ«À̺ê_Áö±Ý, °æ±âõ³â µµÅ¥Æ佺Ÿ, °æ±â»ó»óÄ·ÆÛ½º, ¼ö¿ø
2017 Ä«¿îÅÍŸÀÓ, Ç÷§Æû-L, ¼¿ï
2017 »ï¶ó¸¸»ó î÷, ±¹¸³Çö´ë¹Ì¼ú°ü ¼¿ï°ü, ¼¿ï
2016 2016 ¼¿ï»çÁøÃàÁ¦: ¼¿ï ãæ¾Æ¸®¶û-õ¸®ÀÇ °¹°Ã³·³, ¼¿ï½Ã¸³ ºÏ¼¿ï¹Ì¼ú°ü, ¼¿ï
2016 Antagonistic Monument, ¾Æ¸¶µµ¿¹¼ú°ø°£, ¼¿ï
2016 ¾É´Â ¹ý, ÀεðÇÁ·¹½º, ¼¿ï
2015 2015 SeMA Ä÷º¼Ç, ¼¿ï½Ã¸³ ºÏ¼¿ï¹Ì¼ú°ü. ¼¿ï
2015 ¹Ì¼ú°üÀÌ µÈ ±¸ º§±â¿¡ ¿µ»ç°ü, SeMA ±ÙÇö´ë»ç ÇÁ·ÎÁ§Æ®, ¼¿ï½Ã¸³¹Ì¼ú°ü ³²¼¿ïºÐ°ü, ¼¿ï
2015 ³ª´Â ºÒ²ÉÀÌ´Ù: ¼¿ï, 63 ¾ÆÆ® ¹Ì¼ú°ü, ¼¿ï
2015 2015 ¼¿ï »ó»ó·Â¹ßÀü¼Ò, ¸ÚÁø ½Å¼¼°è: ´Ù½Ã ¸¸³ª´Â ¼¼¿î»ó°¡, ¼¼¿î»ó°¡, ¼¿ï
2015 ¼Ò¶õ½º·¯¿î, ¶ß°Å¿î, ³ÑÄ¡´Â, ±¹¸³Çö´ë¹Ì¼ú°ü, ¼¿ï
2015 ³Ã³ÇÑ °øÁ¸, °¡ÀϹ̼ú°ü, °æ±âµµ
2015 Æ®¶ó¿ì¸¶ÀÇ ±â·Ï, °í¾ç¾Æ¶÷´©¸® ¾Æ¶÷¹Ì¼ú°ü, °æ±âµµ
2014 µÎ»ê¿¬°¿¹¼ú»ó Á¦ 3ȸ ¼ö»óÀÛ°¡ ±×·ìÀü, µÎ»ê °¶·¯¸®, ¼¿ï
2014 ±Í½Å, °£Ã¸, ÇÒ¸Ó´Ï, SeMA ºñ¿£³¯·¹ ¹Ìµð¾î½ÃƼ ¼¿ï, Çѱ¹¿µ»óÀÚ·á¿ø, ¼¿ï
2013-14 Where the ends meet, Galerie Houg, ¸®¿Ë
2013-14 ¾Ö´Ï¹ÌÁò, ÀϹι̼ú°ü, ¼¿ï
2013-14 ¹Ì¼ú°ü ¼Ó »çÁø Æ佺Ƽ¹ú: »çÁø°ú »çȸ – ¼Ò¼È¾ÆÆ®, ´ëÀü½Ã¸³¹Ì¼ú°ü, ´ëÀü
2013 »ó´ë¼º µµ½Ã, ÅäÅ»¹Ì¼ú°ü, ¼¿ï
2013 2013 ¿°»ó¼· ¹®ÇÐÁ¦, ¼¿ïµµ¼°ü ±âȹÀü½Ã½Ç, ¼¿ï
2013 ½Ã±¹¼±¾ð, ½ºÆäÀ̽º 99, ¼¿ï
2013 ÄÚ³¢¸®ÀÇ ³¯°³ – »çȸÀû ¹Ì¼úÀÇ ½Ê¿À ³âÀ» ±âÃÊ·Î ÇÑ ¹Ì·¡ÇÁ·ÎÁ§Æ®,
¹®È¿ª¼¿ï 284, ¼¿ï
2013 °ø°øÀû ¼Ò¶õ: 1998-2012_17°³ÀÇ »çȸÀû ¾ÆÄ«À̺ê ÇÁ·ÎÁ§Æ®, ¾ÆÆ®½ºÆäÀ̽º
Ç®, ¼¿ï
2012 Playtime: Çϱ⿬½À, ¹®È¿ª¼¿ï 284, ¼¿ï
2012 The 7th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art & Queensland Art Gallery, ºê¸®½º¹ø, ¿À½ºÆ®·¹Àϸ®¾Æ
2012 ºÎ»ê ºñ¿£³¯·¹: ¹è¿òÀÇ Á¤¿ø, ºÎ»ê½Ã¸³¹Ì¼ú°ü, ºÎ»ê
2012 ´ë±¸»çÁøºñ¿£³¯·¹: »çÁøÀº ¹Ì¼úÀÌ´Ù, ´ë±¸
2012 SeMA Blue: 12°³ÀÇ ¹æÀ» À§ÇÑ 12°³ÀÇ À̺¥Æ®, ¼¿ï½Ã¸³¹Ì¼ú°ü, ¼¿ï
2011-12 ±º»ê¸®Æ÷Æ®: »ýÁ¸°ú ȯŸÁö¸¦ ¿î¿µÇÏ´Â »ç¶÷µé, ¾ÆÆ® ½ºÆäÀ̽º Ç®; ¿ì¿©°îÀý
éææ®ÍØï¹: ±º»êÀÇ »ç¶÷°ú ¿òÁ÷ÀÓ, ±¸ ±º»ê ¼öÇùµ¿ºÎ¾îÆÇÀå, ±º»ê ¾ÆÆ®·¹Áö´ø½Ã
2011 2011 ¿¡¸£¸Þ½º¹Ì¼ú»ó, ¾Æ¶ã¸®¿¡ ¿¡¸£¸Þ½º, ¼¿ï
2011 Èë, ¸¶´Ã, º¹ÇÕ¹®È°ø°£ ²Ü&²ÜÇ®, ¼¿ï
2011 ° °°Àº ÆòÈ, ½ºÆäÀ̽º 99, ¼¿ï
2011 Á¦ 10ȸ µ¿° ±¹Á¦ »çÁøÁ¦: È帣´Â ½Ã°£, ¸ØÃá ½Ã°¢, ¹®È¿¹¼úȸ°ü, ¿µ¿ù
2011 »õ·Î¿î ¹ßÈïÁö I: Æ÷½ºÆ® ³×ÀÌÃÄ, ¿ì¹Î¾ÆÆ®¼¾ÅÍ, ûÁÖ
2010 2010 ¼¿ï»çÁøÃàÁ¦: ¼¿ï¿¡°Ô ¼¿ïÀ» µ¹·ÁÁÖ´Ù, ¼¿ï½Ã¸³¹Ì¼ú°ü °æÈñ±ÃºÐ°ü, ¼¿ï
2010 1, ²Ü&²ÜÇ®, ¼¿ï
2010 ±º»êÀÌ ¸»ÇÏ´Â °ÍÀº?, ±º»ê¾ÆÆ®·¹Áö´ø½Ã, ±º»ê
2010 ±â³äºñÀûÀÎ ¿©Çà, space c, ÄÚ¸®¾Æ³ª ¹Ì¼ú°ü, ¼¿ï
2010 ±àÁöÀÇ ³¯, ¾ÆÆ® ½ºÆäÀ̽º Ç®, ¼¿ï
2009 Unconquered: Critical Visions from South Korea, Museo Tamayo Arte
Contemporaneo, ¸ß½ÃÄÚ½ÃƼ
2009 1990³â´ë ÀÌÈÄÀÇ »õ·Î¿î Á¤Ä¡¹Ì¼ú:¾Çµ¿µé/Áö±Ý ¿©±â, °æ±âµµ¹Ì¼ú°ü, ¾È»ê
2009 States of Distraction: EMPORIUM, Fabbrica Borroni- Bollate, ¹Ð¶ó³ë
2009 ¿©°¡, À§ÀåµÈ ³ëµ¿?, Kaufhof Sinn Leffers, Çϳë¹ö
2008 Dongducheon: A Walk to Remember, A Walk to Envision, New Museum
of Contemporary Art, ´º¿å: Àλç¹Ì¼ú°ø°£, ¼¿ï
2007 Activating Korea: Tides of Collective Action, The Govett-Brewster Art
Gallery, Çø®¸¶¿ì½º, ´ºÁú·£µå
2007 Áö¿ª¿¬±¸¿Í ¹Ì¼ú I: 2007 µ¿µÎõÀ» ÁÖ¸ñÇÏ´Â ÀÌÀ¯, ´ë¾È°ø°£ Ç®, ¼¿ï
2006 ºÎ»ê ºñ¿£³¯·¹: µÎ µµ½Ã À̾߱⠺λê-¼¿ï/¼¿ï- ºÎ»ê, ºÎ»ê½Ã¸³¹Ì¼ú°ü, ºÎ»ê
2006 Á¦ 3ȸ ¿À´ÃÀÇ ÀαÇ: ±×¸²ÀÚ, ½ÅÇÑ°¶·¯¸®, ¼¿ï
1998 ¹Ì¼úÁÖº¯, ´ö¿ø °¶·¯¸®, ¼¿ï
Awards
2012 Á¦ 3ȸ µÎ»ê ¿¬°¿¹¼ú»ó
2011 Á¦ 10ȸ ´ÙÀ½ÀÛ°¡»ó
2011 Á¦ 12ȸ ¿¡¸£¸Þ½ºÀç´Ü ¹Ì¼ú»ó
Collections
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Etc
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2017-16 <¹é³²Áرâ³ä°ü> ¾ÆÆ®µð·ºÅÍ ¹é³²Áرâ³ä°ü
2015 Á¾·Î±¸ Àλ絿 ¼îÇθô ¸¶·ç ³» ½Å»ý ¾ÆÆ®»óÇ° ¸ÖƼ¼ó ¡®OMAE¡¯°ø°£¿¬Ãâ
¼³Ä¡ÀÛÇ° °â¿ë Áø¿´ë, ¹Ù, Å×À̺í, ÀÇÀÚ, µµ»ö, Á¶¸í ÀÏü µðÀÚÀÎ ¹× Á¦ÀÛ
2015 ÇѾç´ëÇб³ °æ¿µ´ëÇб³ ³» ¾ÆÆ®°¶·¯¸® Çü ±³¼öÈްԽǡ®The Scenic¡¯°ø°£¿¬Ãâ
¼³Ä¡ÀÛÇ° °â¿ë ½ºÅ©¸°, Á¶°¢, ¹Ù, µµ»ö µðÀÚÀÎ ¹× Á¦ÀÛ
2015 ±¤º¹ 70Áֳ⠼¿ï½Ã ±â³ä»ç¾÷ Ưº°Àü, ±ê¹ß µé´Ù: ¿¾ »çÁø ¼Ó űرâ¿Í ³ª, ±¸ ¼¿ï½Ãû ³» ¼¿ï µµ¼°ü 2-4Ãþ
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2012 ¡º±è»óµ·:dz°æÀÇ ¹è¸é, ¼º¼ÓÀÇ ¹Ð¾î¸¦ µè´Ù¡», Çö½Ç¹®È, »ç¹«¼Ò, ¼¿ï
2008 ¡ºI¡¯ve seen that road before¡», Çѱ¹¹®È¿¹¼úÀ§¿øȸ Àλç¹Ì¼ú°ø°£ ¹ßÇà, ¼¿ï
2008 ¡°µ¿µÎõ: ¹Ì¼úÀÎ ¸®Æ÷Æ®¡±, ¡ºº¼¡» 10, Çѱ¹¹®È¿¹¼úÀ§¿øȸ Àλç¹Ì¼ú°ø°£ ¹ßÇà,
¼¿ï
2006 ¡º+82¡», Áö¸éÀÛ¾÷, Çѱ¹¹®È¿¹¼úÀ§¿øȸ Àλç¹Ì¼ú°ø°£ ¹ßÇà, ¼¿ï
2006 ¡°Áßµ¿°ú ¡®¿ì¸®¡¯¡±, ¡ºº¼¡» 2, Áö¸éÀÛ¾÷, Çѱ¹¹®È¿¹¼úÀ§¿øȸ Àλç¹Ì¼ú°ø°£,
¹ßÇà, ¼¿ï
2005 ¡°°øȲ¡±, ¡ºº¼¡» 1, Áö¸éÀÛ¾÷, Çѱ¹¹®È¿¹¼úÀ§¿øȸ Àλç¹Ì¼ú°ø°£ ¹ßÇà, ¼¿ï
2002 Wie der er schein en, ÀÚ°¡ÃâÆÇ, º£¸¦¸°
2001 Besucher, ÀÚ°¡ÃâÆÇ, º£¸¦¸°
[»ó¿µÈ¸]
2010 8ème Festival international Signes de Nuit, Ưº°ÃÊ´ëºÎ¹®, Festival international SIGNES DE NUIT, Æĸ®
http://www.signesdenuit.com/paris/P8/exIS_F.htm
2009 Á¦ 6ȸ ¼¿ï±¹Á¦½ÇÇ迵ÈÆ佺Ƽ¹ú EXiS 2009, ¼¿ï
2009 Spectacle East Asia:Translocation+Publicity+Counterpublics, ½Ã°¢¹®È¿¬±¸ ±¹Á¦ ÄÁÆÛ·±½º ÃÊû»ó¿µ, University of Rochester, ´º¿å